First-Year Studies in Theatre: A Contemporary Performance Lab
In Contemporary Performance Lab—a survey of contemporary theatre-building techniques and methodologies from Dada to Judson Church and beyond—we will look at examples of experimental theatre and performance art from the early part of the 20th century to now, focusing mostly on where current dance and theatre combinations find inspiration. A multidisciplinary historical survey will give us a context in which to place the work we make together in class. This course will primarily be a hands-on experience, with creative and critical writing assignments and a reading list that includes plays, criticism, and artists’ manifestos. The majority of time will be devoted to lab work, where students create their own short performance pieces. By the end of the year, students will eventually make group pieces together, utilizing theatrical and nontheatrical sources in an attempt to speak to our cultural moment. In addition to meeting twice a week, there will be opportunities to visit rehearsals and performances of professional theatre and dance in New York City. In choosing this class, you are choosing to be a Theatre Third. This means that, in addition to these classes, you are required to take Theatre Techniques, which introduces you to theatre history and technology, and attend theatre colloquiums, as well as complete 25 hours of technical work each semester.
Theatre courses
- Acting Poetic Realism
- Acting Shakespeare
- Actors and Directors Studio
- Advanced Costume Conference
- Advanced Stage Combat
- Alexander Technique
- Auditioning
- Audition Technique
- Breathing Coordination for the Performer
- Building a Vocal Technique
- Close Up and Personal
- Comedy Workshop
- Contemporary Collaborative Performance: Grad Projects I
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Design Elements I
- Design Elements II
- Design Techniques in Media and Animation
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- Directing Workshop
- DownStage
- Experiments in Language and Form
- Far-Off, Off-Off, Off, and On Broadway: Experiencing the 2012-2013 Theatre Season
- First-Year Studies in Theatre: A Contemporary Performance Lab
- Global Theatre: The Syncretic Journey
- Grad Lab
- History and Histrionics
- Improvisation Laboratory
- Internship Conference
- Introduction to Projection Design
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- New Musical Theatre Lab
- Making New Work
- Medley Playwriting Workshop: Developing the Dramatic Idea
- Methods of Theatre Outreach
- Movement for Performance
- Playwright’s Workshop
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre: Bunraku-style
- Puppet Theatre: Marionette
- Puppet Theatre: Toy Theatre and Shadow Puppetry
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Something Great is Coming: The American Musical
- Sound Design I and II
- Stage Management
- Technology
- Actor’s Workshop
- The London Theatre Program (BADA)
- The Magic of Playwriting
- The Webisodics Project/Web Series Asylum
- Tools of the Trade
- Using the Performing Arts for Social Change
- Writers Gym
- Writing for Solo Performance