Directing, Devising, and Performance
This class is a laboratory, where students will explore (on their feet) a range of methodologies, philosophies, and approaches to creating performance and theatre. How do you direct a theatre piece without starting with a play? Alongside a broad survey of artists and art movements of the 20th century that continue to influence theatre artists today, students will practice a variety of ways of staging, with and without text, and always in relation to being a “live event.” Following a trajectory from the Dadaists to Fluxus, from the surrealists to John Cage (and beyond), we will wrangle with these “postdramatic” artists and explore how their ideas can lead us in finding our own unique theatrical voice. Students will be given reading and creative assignments outside of class and will be expected to work collaboratively throughout the term. This class meets once a week.
Theatre courses
- Acting Poetic Realism
- Acting Shakespeare
- Actors and Directors Studio
- Advanced Costume Conference
- Advanced Stage Combat
- Alexander Technique
- Auditioning
- Audition Technique
- Breathing Coordination for the Performer
- Building a Vocal Technique
- Close Up and Personal
- Comedy Workshop
- Contemporary Collaborative Performance: Grad Projects I
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Design Elements I
- Design Elements II
- Design Techniques in Media and Animation
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- Directing Workshop
- DownStage
- Experiments in Language and Form
- Far-Off, Off-Off, Off, and On Broadway: Experiencing the 2012-2013 Theatre Season
- First-Year Studies in Theatre: A Contemporary Performance Lab
- Global Theatre: The Syncretic Journey
- Grad Lab
- History and Histrionics
- Improvisation Laboratory
- Internship Conference
- Introduction to Projection Design
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- New Musical Theatre Lab
- Making New Work
- Medley Playwriting Workshop: Developing the Dramatic Idea
- Methods of Theatre Outreach
- Movement for Performance
- Playwright’s Workshop
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre: Bunraku-style
- Puppet Theatre: Marionette
- Puppet Theatre: Toy Theatre and Shadow Puppetry
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Something Great is Coming: The American Musical
- Sound Design I and II
- Stage Management
- Technology
- Actor’s Workshop
- The London Theatre Program (BADA)
- The Magic of Playwriting
- The Webisodics Project/Web Series Asylum
- Tools of the Trade
- Using the Performing Arts for Social Change
- Writers Gym
- Writing for Solo Performance