Writers Gym
“You can’t wait for inspiration, you have to go after it with a club.”—Jack London
Writers Gym is a first-year creative writing “gymnasium.” Our focus is on weekly writing exercises that develop characters and stories—whether for the stage, screenplay, or fiction/memoir prose narration. In addition, we study theories about the nature of creativity and explore strategies for improving writing discipline and for working writing blocks. Our goals are as follows: to study writing methods that help to inspire, nurture, encourage, and sustain our urge/need to write; to concentrate on building the inner lives of our characters through in-depth character work, in order to create stronger stories; to explore—that is to say, investigate—and gain access into our spontaneous ideas; to articulate and gain a more conscious relationship to the “inner territory” from which we draw ideas; to confront issues that block the writing process; and to gain greater confidence in revision, as we pursue clarification of the work. Our yearlong class procedure will include weekly writing exercises, writing and revising multiple short pieces that the students generate—plays, prose fiction and nonfiction, or short screenplay. Students will be assigned selected readings from the aforementioned genres plus a variety of essay excerpts concerning the creative process. In addition, one class a week will focus on the history of theatre.
Theatre courses
- Acting Poetic Realism
- Acting Shakespeare
- Actor and Director Lab: PROOF
- Advanced Costume Conference
- Advanced Puppet Theatre/Performance
- Advanced Stage Combat
- Alexander Technique
- Breaking the Code
- Breathing Coordination for the Performer
- Brief Chronicle: A Short History of the Theatre
- Building a Vocal Technique
- Close Up and Personal
- Collaborative Contemporary Theater: Grad Projects I
- Comedy Workshop
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Creation Theatre Imperatives
- Creativity Workshop
- Design Elements I
- Design Elements II
- Design Techniques in Media and Puppetry
- Developing the Dramatic Idea
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- DownStage
- Experiments in Language and Form
- Face the Blank Page
- Far-Off, Off-Off, Off-, and On-Broadway: Experiencing the 2011-2012 Theatre Season
- First-Year Studies in Theatre: Directing in the Contemporary Theatre
- First-Year Studies in Theatre: The Playwright’s Perspective
- Grad Lab
- Improvisation Laboratory
- Improvisation Techniques
- Internship Conference
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- London Theatre Tour
- Making New Work
- Methods of Theatre Outreach
- Movement for Performance
- New Musical Theatre Lab
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre
- REWRITE
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Sound Design I & II
- Spencer Workshop
- Stage Management
- The Acting Process
- Theatre 360: The Big Picture
- Theatre Techniques: Actor’s Workshop
- Theatre Techniques: History and Histrionics
- Theatre Techniques: Technology
- The London Theatre Program (BADA)
- The Performing Arts for Social Change
- Tools of the Trade
- The Webisodics Project/Web Series Asylum
- Global Theatre: The Syncretic Journey
- Writers Gym
- Writing for Solo Performance

