First-Year Studies in Theatre: The Playwright’s Perspective
In this class, we will spend roughly half of our time reading great plays and the other half writing them. Over the course of the year, we will read plays that represent the major epochs in the last 2,500 years of Western theatre. We will discuss their historical context—the politics, economics, architecture, and other factors that shaped both their dramaturgy and their substance. Through a combination of lecture, discussion, and essays, the student should emerge with access to the major idioms of dramatic writing. Meanwhile, every student will also be studying the craft of playwriting. We will begin with small, tentative explorations: short scenes that explore issues of structure or creative process. The goal is to develop a sense of craft and technique that is individual yet based on traditional dramaturgical ideas. By the second term, students will be writing their own extended play based on a historical subject or short story of their own choice. Students enrolled in First-Year Studies in Theatre may take an additional Theatre component as part of their Theatre Third. They are also required to attend scheduled Theatre Colloquiums and complete a set amount of technical support hours for the department. Students do not have to take First-Year Studies in Theatre to take Theatre classes as a first-year student. First-Year Studies courses are an intense exploration of one area of theatre, and students should have a strong interest in that area before signing up for the course.
Theatre courses
- Acting Poetic Realism
- Acting Shakespeare
- Actor and Director Lab: PROOF
- Advanced Costume Conference
- Advanced Puppet Theatre/Performance
- Advanced Stage Combat
- Alexander Technique
- Breaking the Code
- Breathing Coordination for the Performer
- Brief Chronicle: A Short History of the Theatre
- Building a Vocal Technique
- Close Up and Personal
- Collaborative Contemporary Theater: Grad Projects I
- Comedy Workshop
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Creation Theatre Imperatives
- Creativity Workshop
- Design Elements I
- Design Elements II
- Design Techniques in Media and Puppetry
- Developing the Dramatic Idea
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- DownStage
- Experiments in Language and Form
- Face the Blank Page
- Far-Off, Off-Off, Off-, and On-Broadway: Experiencing the 2011-2012 Theatre Season
- First-Year Studies in Theatre: Directing in the Contemporary Theatre
- First-Year Studies in Theatre: The Playwright’s Perspective
- Grad Lab
- Improvisation Laboratory
- Improvisation Techniques
- Internship Conference
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- London Theatre Tour
- Making New Work
- Methods of Theatre Outreach
- Movement for Performance
- New Musical Theatre Lab
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre
- REWRITE
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Sound Design I & II
- Spencer Workshop
- Stage Management
- The Acting Process
- Theatre 360: The Big Picture
- Theatre Techniques: Actor’s Workshop
- Theatre Techniques: History and Histrionics
- Theatre Techniques: Technology
- The London Theatre Program (BADA)
- The Performing Arts for Social Change
- Tools of the Trade
- The Webisodics Project/Web Series Asylum
- Global Theatre: The Syncretic Journey
- Writers Gym
- Writing for Solo Performance

