Experiments in Language and Form
In this class, we will focus on writing “experimental theatre”—that is, we will experiment with theatrical forms that extend beyond traditional portrayals of time, three-dimensional space, language, character, and dramatic structure—and discover the impact that different types of onstage presentations might have on audiences. We are not interested in imitating the style of experimental playwrights but, rather, using their texts as influence, stimulus, and encouragement as we attempt our own experiments. We will also style experimental texts to ascertain the types of environments—political, spiritual, mental, social—that influenced such texts to be generated; that is, created. Our aim, first and foremost, is to investigate and explore ways to genuinely give theatrical expression to our personal-political-spiritual interior lives, values, observations, and beliefs. We will then strive to examine the most effective manner of communicating our theatrical experiments to an audience. Our experimental writing may include a multimedia presentation as part of the scripted, onstage play or performance. This class meets once a week.
Theatre courses
- Acting Poetic Realism
- Acting Shakespeare
- Actor and Director Lab: PROOF
- Advanced Costume Conference
- Advanced Puppet Theatre/Performance
- Advanced Stage Combat
- Alexander Technique
- Breaking the Code
- Breathing Coordination for the Performer
- Brief Chronicle: A Short History of the Theatre
- Building a Vocal Technique
- Close Up and Personal
- Collaborative Contemporary Theater: Grad Projects I
- Comedy Workshop
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Creation Theatre Imperatives
- Creativity Workshop
- Design Elements I
- Design Elements II
- Design Techniques in Media and Puppetry
- Developing the Dramatic Idea
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- DownStage
- Experiments in Language and Form
- Face the Blank Page
- Far-Off, Off-Off, Off-, and On-Broadway: Experiencing the 2011-2012 Theatre Season
- First-Year Studies in Theatre: Directing in the Contemporary Theatre
- First-Year Studies in Theatre: The Playwright’s Perspective
- Grad Lab
- Improvisation Laboratory
- Improvisation Techniques
- Internship Conference
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- London Theatre Tour
- Making New Work
- Methods of Theatre Outreach
- Movement for Performance
- New Musical Theatre Lab
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre
- REWRITE
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Sound Design I & II
- Spencer Workshop
- Stage Management
- The Acting Process
- Theatre 360: The Big Picture
- Theatre Techniques: Actor’s Workshop
- Theatre Techniques: History and Histrionics
- Theatre Techniques: Technology
- The London Theatre Program (BADA)
- The Performing Arts for Social Change
- Tools of the Trade
- The Webisodics Project/Web Series Asylum
- Global Theatre: The Syncretic Journey
- Writers Gym
- Writing for Solo Performance

