Collaborative Contemporary Theater: Grad Projects I
This course will provide a critical and supportive forum for the development of new works of original performance, focusing primarily on where current dance and theatre combinations find inspiration. In the first semester, students will explore contemporary theatre-building techniques and methodologies from Dada to Judson Church and beyond. The majority of time will be devoted to lab work, where students will create their own short performance pieces through a multidisciplinary approach. Students will be asked to devise original theatre pieces that utilize such methods as solo forms, viewpoints, chance operations, and creations from nontheatrical sources. In addition to the laboratory aspect of the class, a number of plays, essays, and artists’ manifestos will be discussed. In the second semester, students will collaborate on a single evening-length work, utilizing theatrical and nontheatrical sources in an attempt to speak to our cultural moment. There will also be opportunities to visit rehearsals and performances of professional theatre and dance in New York City. Open to first-year graduates. This class meets once a week.
Theatre courses
- Acting Poetic Realism
- Acting Shakespeare
- Actor and Director Lab: PROOF
- Advanced Costume Conference
- Advanced Puppet Theatre/Performance
- Advanced Stage Combat
- Alexander Technique
- Breaking the Code
- Breathing Coordination for the Performer
- Brief Chronicle: A Short History of the Theatre
- Building a Vocal Technique
- Close Up and Personal
- Collaborative Contemporary Theater: Grad Projects I
- Comedy Workshop
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Creation Theatre Imperatives
- Creativity Workshop
- Design Elements I
- Design Elements II
- Design Techniques in Media and Puppetry
- Developing the Dramatic Idea
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- DownStage
- Experiments in Language and Form
- Face the Blank Page
- Far-Off, Off-Off, Off-, and On-Broadway: Experiencing the 2011-2012 Theatre Season
- First-Year Studies in Theatre: Directing in the Contemporary Theatre
- First-Year Studies in Theatre: The Playwright’s Perspective
- Grad Lab
- Improvisation Laboratory
- Improvisation Techniques
- Internship Conference
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- London Theatre Tour
- Making New Work
- Methods of Theatre Outreach
- Movement for Performance
- New Musical Theatre Lab
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre
- REWRITE
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Sound Design I & II
- Spencer Workshop
- Stage Management
- The Acting Process
- Theatre 360: The Big Picture
- Theatre Techniques: Actor’s Workshop
- Theatre Techniques: History and Histrionics
- Theatre Techniques: Technology
- The London Theatre Program (BADA)
- The Performing Arts for Social Change
- Tools of the Trade
- The Webisodics Project/Web Series Asylum
- Global Theatre: The Syncretic Journey
- Writers Gym
- Writing for Solo Performance

