SLC.edu / Undergraduate Catalogue / Creative and Performing Arts / Music / 2013-2014
Studio Composition and Music Technology
Component
This component is open to advanced students who have successfully completed Studio for Electronic Music and Experimental Sound, and are at or beyond the Advanced Theory level. Students work on individual projects involving aspects of Music Technology including but not limited to works for Electro-acoustic instruments–live and/or pre-recorded–works involving interactive performance media–laptop ensembles, Disklavier, and improvised or through-composed works. Open to a limited number of students; permission of the instructor is required.
Related pages
Related News: Creative and Performing Arts
- The New York Times features new book on WWII by historian Mary Louise Roberts MA '80
- Wall Street Journal, NPR feature folk singer Sam Amidon '04
- Trevor Wallace ’13 appears on The Late Show with David Letterman
- The New York Times profiles choreographer Pam Tanowitz MFA '98
Alumna and journalism pioneer Barbara Walters announces 2014 retirement
Music courses
- Advanced Theory: Advanced Tonal Theory and Analysis
- Advanced Theory: Continuo Playing
- Advanced Theory: Jazz Theory and Harmony
- Advanced Theory: Twentieth-Century Theoretical Approaches: Post-Tonal and Rock Music
- African Classics of the Post-Colonial Era
- Bluegrass Performance Ensemble
- Chamber Choir
- Chamber Music
- Chamber Music Improvisation
- Concert Attendance/Music Tuesdays Requirement
- Conducting
- Debussy and the French School
- First-Year Studies: Landmarks of Western Music
- Guitar Class
- Guitar Ensemble
- Intermediate and Advanced Aural Skills
- Introduction to Electronic Music and Music Technology
- Jazz Colloquium
- Jazz History
- Jazz Performance and Improvisation Workshop
- Jazz Vocal Ensemble
- Jazz Vocal Seminar
- Keyboard Lab
- Master Class
- MIDI: Sequencing, Recording, and Mastering Electronic Music
- Mozart and Beethoven: Music from 1720-1810
- Music and/as Language: Ethnomusicology of North America
- Music and/as Language: Ethnomusicology of North America
- Music and/as Social Identity: Ethnomusicology of the Atlantic Coasts
- Music and/as Social Identity: Ethnomusicology of the Atlantic Coasts
- Music of the Baroque
- Music Workshop
- Orchestra Projects
- Self-Discovery Through Singing
- Seminar in Vocal Performance
- Senior Recital
- Sight Reading for Instrumentalists
- So This Is Opera?
- Studio Class
- Studio Composition and Music Technology
- Survey of Western Music
- The Blues Ensemble
- Theory II: Basic Tonal Theory and Composition
- *Theory I: Materials of Music
- Twentieth-Century Compositional Techniques
- Violin Master Class
- West African Percussion Ensemble Faso Foli
- Women’s Vocal Ensemble
Vera Wang '71 addresses Class of 2013; photos, videos, media clips available on Commencement site