SLC.edu / Undergraduate Catalogue / Creative and Performing Arts / Music / 2013-2014
Sight Reading for Instrumentalists
Component
This course is open to all instrumentalists who are interested in developing techniques to improve their sight-reading skills. Groups from duets to quintets will be formed according to level and will meet once a week. A sight-reading “performance” will be held at the end of each semester.
Related pages
Related News: Creative and Performing Arts
- The New York Times features new book on WWII by historian Mary Louise Roberts MA '80
- Wall Street Journal, NPR feature folk singer Sam Amidon '04
- Trevor Wallace ’13 appears on The Late Show with David Letterman
- The New York Times profiles choreographer Pam Tanowitz MFA '98
Alumna and journalism pioneer Barbara Walters announces 2014 retirement
Music courses
- Advanced Theory: Advanced Tonal Theory and Analysis
- Advanced Theory: Continuo Playing
- Advanced Theory: Jazz Theory and Harmony
- Advanced Theory: Twentieth-Century Theoretical Approaches: Post-Tonal and Rock Music
- African Classics of the Post-Colonial Era
- Bluegrass Performance Ensemble
- Chamber Choir
- Chamber Music
- Chamber Music Improvisation
- Concert Attendance/Music Tuesdays Requirement
- Conducting
- Debussy and the French School
- First-Year Studies: Landmarks of Western Music
- Guitar Class
- Guitar Ensemble
- Intermediate and Advanced Aural Skills
- Introduction to Electronic Music and Music Technology
- Jazz Colloquium
- Jazz History
- Jazz Performance and Improvisation Workshop
- Jazz Vocal Ensemble
- Jazz Vocal Seminar
- Keyboard Lab
- Master Class
- MIDI: Sequencing, Recording, and Mastering Electronic Music
- Mozart and Beethoven: Music from 1720-1810
- Music and/as Language: Ethnomusicology of North America
- Music and/as Language: Ethnomusicology of North America
- Music and/as Social Identity: Ethnomusicology of the Atlantic Coasts
- Music and/as Social Identity: Ethnomusicology of the Atlantic Coasts
- Music of the Baroque
- Music Workshop
- Orchestra Projects
- Self-Discovery Through Singing
- Seminar in Vocal Performance
- Senior Recital
- Sight Reading for Instrumentalists
- So This Is Opera?
- Studio Class
- Studio Composition and Music Technology
- Survey of Western Music
- The Blues Ensemble
- Theory II: Basic Tonal Theory and Composition
- *Theory I: Materials of Music
- Twentieth-Century Compositional Techniques
- Violin Master Class
- West African Percussion Ensemble Faso Foli
- Women’s Vocal Ensemble
Vera Wang '71 addresses Class of 2013; photos, videos, media clips available on Commencement site