Advanced Theory: Jazz Theory and Harmony
This course will study the building blocks and concepts of jazz theory, harmony, and rhythm. This will include the study of the standard modes and scales as well as the use of melodic and harmonic minor scales and their respective modals systems. It will include the study and application of diminished and augmented scales and their role in harmonic progression, particularly the diminished chord as a parental structure. An in-depth study will be given to harmony and harmonic progression through analysis and memorization of triads, extensions, and alterations as well as substitute chords, re-harmonization, and back cycling. We will look at polytonality and the superposition of various hybrid chords over different bass tones and other harmonic structures. We will study and apply all of the above to their characteristic and stylistic genres including bebop, modal, free, and progressive jazz. The study of rhythm, which is possibly the single most important aspect of jazz, will be a primary focus as well. We will also use composition as a way to absorb and truly understand the concepts discussed. Prerequisite: Theory II: Basic Tonal Theory and Composition
Music courses
- Advanced Theory: Advanced Tonal Theory and Analysis
- Advanced Theory: Continuo Playing
- Advanced Theory: Jazz Theory and Harmony
- Advanced Theory: Twentieth-Century Theoretical Approaches: Post-Tonal and Rock Music
- African Classics of the Post-Colonial Era
- Bluegrass Performance Ensemble
- Chamber Choir
- Chamber Music
- Chamber Music Improvisation
- Concert Attendance/Music Tuesdays Requirement
- Conducting
- Debussy and the French School
- First-Year Studies: Landmarks of Western Music
- Guitar Class
- Guitar Ensemble
- Intermediate and Advanced Aural Skills
- Introduction to Electronic Music and Music Technology
- Jazz Colloquium
- Jazz History
- Jazz Performance and Improvisation Workshop
- Jazz Vocal Ensemble
- Jazz Vocal Seminar
- Keyboard Lab
- Master Class
- MIDI: Sequencing, Recording, and Mastering Electronic Music
- Mozart and Beethoven: Music from 1720-1810
- Music and/as Language: Ethnomusicology of North America
- Music and/as Language: Ethnomusicology of North America
- Music and/as Social Identity: Ethnomusicology of the Atlantic Coasts
- Music and/as Social Identity: Ethnomusicology of the Atlantic Coasts
- Music of the Baroque
- Music Workshop
- Orchestra Projects
- Self-Discovery Through Singing
- Seminar in Vocal Performance
- Senior Recital
- Sight Reading for Instrumentalists
- So This Is Opera?
- Studio Class
- Studio Composition and Music Technology
- Survey of Western Music
- The Blues Ensemble
- Theory II: Basic Tonal Theory and Composition
- *Theory I: Materials of Music
- Twentieth-Century Compositional Techniques
- Violin Master Class
- West African Percussion Ensemble Faso Foli
- Women’s Vocal Ensemble