The Music of J. S. Bach
The music of J. S. Bach represents a pinnacle of Western culture. He absorbed and raised to unimaginable heights the conception of music that can be traced back to the ancient Greeks, in which music is a vehicle for metaphysical and cosmological truth; but he was also a child of the early Enlightenment and wrote some of the most joyful and communicative music ever written. He absorbed every possible influence and transfigured them: the Italian and French styles, the art of counterpoint, the dance suite, the concerto, sacred music, and much more. His combination of often breathtakingly complex polyphony with advanced and powerful harmonies was unprecedented. Virtually every composer that followed him used his music as a foundation for their musical thinking. Even today, Bach’s music is crucial for both the composer and the attentive listener. This class will provide a survey of the entire range of Bach’s work and will combine detailed attention to particular pieces with background concerning the life of the musician in the 18th century, the role of the composer and improviser, the complexities of patronage, and other issues.
Music courses
- Advanced Theory: Advanced Tonal Theory and Analysis
- Advanced Theory: Jazz Theory and Harmony
- Advanced Theory: 20th-Century Theoretical Approaches: Post-Tonal and Rock Music
- African Classics of the Post-Colonial Era
- Awareness Through Movement® for Musicians
- Baroque Ensemble
- Basic Aural Skills
- Bluegrass Performance Ensemble
- Chamber Choir
- Chamber Music
- Chamber Music Improvisation
- Concert Attendance/Music Tuesdays Requirement
- Conducting
- Debussy and the French School
- Diction for Singers
- Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
- Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
- Evolution of a Performance
- Experimental Improvisation Ensemble
- First-Year Studies: Music and Technology
- Gamelan Angklung Chandra Buana
- Guitar Class
- Guitar Ensemble
- Hearing and Singing
- Intermediate Aural Skills
- Introduction to Electronic Music and Music Technology
- Jazz Colloquium
- Jazz History
- Jazz Performance and Improvisation Workshop
- Jazz Vocal Ensemble
- Jazz Vocal Seminar
- Keyboard Lab
- Keyboard Literature
- Master Class
- MIDI: Sequencing, Recording, and Mastering Electronic Music
- Mozart and Beethoven: Music from 1720-1810
- Music of Transcendent Experience
- Music of Transcendent Experience
- Music Workshop
- Orchestra Projects
- Sarah Lawrence Orchestra
- Sarah Lawrence String Orchestra
- Self-Discovery Through Singing
- Seminar in Vocal Performance
- Senior Recital
- Sight Reading for Instrumentalists
- So This Is Opera?
- Studio Class
- Studio Composition and Music Technology
- Survey of Western Music
- The Blues Ensemble
- The Cygnus Ensemble: Artists-in-Residence
- The Music of J. S. Bach
- The Music of J. S. Bach
- Theory II: Basic Tonal Theory and Composition
- *Theory I: Materials of Music
- 20th-Century Compositional Techniques
- Violin Master Class
- West African Percussion Ensemble Faso Foli
- Women’s Vocal Ensemble