Jazz Vocal Ensemble
No longer do vocalists need to share valuable time with those wanting to focus primarily on instrumental jazz and vice versa. This ensemble will be dedicated to providing a performance-oriented environment for the aspiring jazz vocalist. We will mostly concentrate on picking material from the standard jazz repertoire. Vocalists will get an opportunity to work on arrangements, interpretation, delivery, phrasing, and intonation in a realistic situation with a live rhythm section and soloists. They will learn how to work with, give direction to, and get what they need from the rhythm section. It will provide an environment to learn to hear forms and changes and also work on vocal improvisation if they so choose. This will not only give students an opportunity to work on singing solo or lead vocals but to work with other vocalists in singing backup or harmony vocals for and with each other. This will also serve as a great opportunity for instrumentalists to learn the true art of accompanying the jazz vocalist, which will prove to be a valuable experience in preparing for a career as a professional musician. Audition required.
Music courses
- Advanced Theory: Advanced Tonal Theory and Analysis
- Advanced Theory: Jazz Theory and Harmony
- Advanced Theory: 20th-Century Theoretical Approaches: Post-Tonal and Rock Music
- African Classics of the Post-Colonial Era
- Awareness Through Movement® for Musicians
- Baroque Ensemble
- Basic Aural Skills
- Bluegrass Performance Ensemble
- Chamber Choir
- Chamber Music
- Chamber Music Improvisation
- Concert Attendance/Music Tuesdays Requirement
- Conducting
- Debussy and the French School
- Diction for Singers
- Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
- Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
- Evolution of a Performance
- Experimental Improvisation Ensemble
- First-Year Studies: Music and Technology
- Gamelan Angklung Chandra Buana
- Guitar Class
- Guitar Ensemble
- Hearing and Singing
- Intermediate Aural Skills
- Introduction to Electronic Music and Music Technology
- Jazz Colloquium
- Jazz History
- Jazz Performance and Improvisation Workshop
- Jazz Vocal Ensemble
- Jazz Vocal Seminar
- Keyboard Lab
- Keyboard Literature
- Master Class
- MIDI: Sequencing, Recording, and Mastering Electronic Music
- Mozart and Beethoven: Music from 1720-1810
- Music of Transcendent Experience
- Music of Transcendent Experience
- Music Workshop
- Orchestra Projects
- Sarah Lawrence Orchestra
- Sarah Lawrence String Orchestra
- Self-Discovery Through Singing
- Seminar in Vocal Performance
- Senior Recital
- Sight Reading for Instrumentalists
- So This Is Opera?
- Studio Class
- Studio Composition and Music Technology
- Survey of Western Music
- The Blues Ensemble
- The Cygnus Ensemble: Artists-in-Residence
- The Music of J. S. Bach
- The Music of J. S. Bach
- Theory II: Basic Tonal Theory and Composition
- *Theory I: Materials of Music
- 20th-Century Compositional Techniques
- Violin Master Class
- West African Percussion Ensemble Faso Foli
- Women’s Vocal Ensemble