Concert Attendance/Music Tuesdays Requirement
The music faculty wants students to have access to a variety of musical experiences. Therefore, all Music Thirds are required to attend all Music Tuesday events and three music department-sponsored concerts on campus per semester, including concerts (the required number varies from semester to semester) presented by music faculty and outside professionals that are part of the Concert Series.
Music Tuesdays consists of various programs including student/faculty town meetings, concert presentations, guest artists’ lectures and performances, master classes, and collaborations with other departments and performing arts programs. Meetings, which take place in Reisinger Concert Hall on selected Tuesdays from 1:30-3:00 p.m., are open to the community. Schedule to be announced each semester.
Music courses
- Advanced Theory: Advanced Tonal Theory and Analysis
- Advanced Theory: Jazz Theory and Harmony
- Advanced Theory: 20th-Century Theoretical Approaches: Post-Tonal and Rock Music
- African Classics of the Post-Colonial Era
- Awareness Through Movement® for Musicians
- Baroque Ensemble
- Basic Aural Skills
- Bluegrass Performance Ensemble
- Chamber Choir
- Chamber Music
- Chamber Music Improvisation
- Concert Attendance/Music Tuesdays Requirement
- Conducting
- Debussy and the French School
- Diction for Singers
- Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
- Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
- Evolution of a Performance
- Experimental Improvisation Ensemble
- First-Year Studies: Music and Technology
- Gamelan Angklung Chandra Buana
- Guitar Class
- Guitar Ensemble
- Hearing and Singing
- Intermediate Aural Skills
- Introduction to Electronic Music and Music Technology
- Jazz Colloquium
- Jazz History
- Jazz Performance and Improvisation Workshop
- Jazz Vocal Ensemble
- Jazz Vocal Seminar
- Keyboard Lab
- Keyboard Literature
- Master Class
- MIDI: Sequencing, Recording, and Mastering Electronic Music
- Mozart and Beethoven: Music from 1720-1810
- Music of Transcendent Experience
- Music of Transcendent Experience
- Music Workshop
- Orchestra Projects
- Sarah Lawrence Orchestra
- Sarah Lawrence String Orchestra
- Self-Discovery Through Singing
- Seminar in Vocal Performance
- Senior Recital
- Sight Reading for Instrumentalists
- So This Is Opera?
- Studio Class
- Studio Composition and Music Technology
- Survey of Western Music
- The Blues Ensemble
- The Cygnus Ensemble: Artists-in-Residence
- The Music of J. S. Bach
- The Music of J. S. Bach
- Theory II: Basic Tonal Theory and Composition
- *Theory I: Materials of Music
- 20th-Century Compositional Techniques
- Violin Master Class
- West African Percussion Ensemble Faso Foli
- Women’s Vocal Ensemble