Hearing and Singing
This class focuses on developing fluency with the rudiments of music. It is the required aural corollary to Theory I: Materials of Music. As students begin to explore the fundamental concepts of written theory—reading notes on the staff, interpreting rhythm—Hearing and Singing works to translate these sights into sounds. The use of solfège helps in this process, as ear, mind, and voice begin to understand the relationship between the pitches of the scale. Rhythm drills help solidify a sense of rhythm and a familiarity with rhythm patterns. In-class chorale singing supports this process. All incoming students will take a diagnostic test to determine placement. This class fulfills the performance component of the Music program for those beginning students who are not ready to participate in other ensembles. Students who demonstrate proficiency for this subject may advance directly into Basic Aural Skills.
Music courses
- Advanced Theory: Advanced Tonal Theory and Composition
- Advanced Theory: Beethoven
- Advanced Theory: Jazz Theory and Harmony I
- Advanced Theory: Jazz Theory and Harmony II
- Advanced Theory: 20th-Century Theoretical Approaches II: Post-Tonal and Rock Music
- Advanced Theory: 20th-Century Theoretical Approaches: Post-Tonal and Rock Music
- African Classics of the Post-Colonial Era
- Analog and Digital Synthesis
- Awareness Through Movement™ for Musicians
- Baroque Ensemble
- Basic Aural Skills
- Beethoven
- Bluegrass Performance Ensemble
- Chamber Choir
- Chamber Music
- Chamber Music Improvisation
- Character Development for Singers
- Concert Attendance/Music Tuesdays Requirement
- Conducting
- Debussy and the French School
- Diction for Singers
- Digital Audio Workstations and MIDI
- Ethnomusicology of the Americas: Music, Language, and Identity
- Ethnomusicology of the Americas: Music, Language, and Identity
- Evolution of a Performance
- Gamelan Angklung Chandra Buana
- Guitar Class
- Guitar Ensemble
- Hearing and Singing
- Intermediate Aural Skills
- Introduction to Electronic Music and Music Technology
- Jazz Colloquium
- Jazz History
- Jazz Performance and Improvisation Workshop
- Jazz Vocal Ensemble
- Jazz Vocal Seminar
- Keyboard Lab
- Master Class
- Mozart and Beethoven: Music from 1720-1810
- Music, Circulation, and Appropriation
- Music Workshop
- “Non-Western” Western Musics in Europe and Asia
- Recording, Sequencing, and Mastering Electronic Music
- Sarah Lawrence Orchestra
- Sarah Lawrence String Orchestra
- Self-Discovery Through Singing
- Seminar in Vocal Performance
- Music, Circulation, and Appropriation
- Senior Recital
- Sight Reading for Instrumentalists
- So This Is Opera?
- Studio Class
- Studio Composition and Music Technology
- Survey of Western Music
- The Blues Ensemble
- The Cygnus Ensemble: Artists-in-Residence
- Theory II: Basic Tonal Theory and Composition
- Theory I: Materials of Music
- 20th-Century Compositional Techniques
- Violin Master Class
- West African Percussion Ensemble Faso Foli
- Women’s Vocal Ensemble

