Evolution of a Performance
This advanced seminar presents a unique resource designed to help students develop well-informed and inspired performances. The content of this course will be carefully tailored to participants’ interests, needs, abilities, and chosen repertoire. It will include a combination of the following: textual criticism and possible creation of a performance edition; consideration of performance practices, drawing on historical documents and recent scholarship; study of historical instruments (with possible field trips to the Yale Collection of Musical Instruments); review of pertinent analytical techniques and writings; analytical, compositional, and ear-training assignments; readings that explore the cultural, artistic, and emotional worlds of the composers studied; in-class performances and coaching; and discussion of broader philosophical issues relating to authenticity in performance. This course is for accomplished and highly motivated performers who have a theory background commensurate with completion of at least the first semester of Advanced Theory: Advanced Tonal Theory and Composition. It is especially suitable for instrumentalists and singers who are preparing for a recital or performances of major chamber works. Permission of the instructor is required.
Music courses
- Advanced Theory: Advanced Tonal Theory and Composition
- Advanced Theory: Beethoven
- Advanced Theory: Jazz Theory and Harmony I
- Advanced Theory: Jazz Theory and Harmony II
- Advanced Theory: 20th-Century Theoretical Approaches II: Post-Tonal and Rock Music
- Advanced Theory: 20th-Century Theoretical Approaches: Post-Tonal and Rock Music
- African Classics of the Post-Colonial Era
- Analog and Digital Synthesis
- Awareness Through Movement™ for Musicians
- Baroque Ensemble
- Basic Aural Skills
- Beethoven
- Bluegrass Performance Ensemble
- Chamber Choir
- Chamber Music
- Chamber Music Improvisation
- Character Development for Singers
- Concert Attendance/Music Tuesdays Requirement
- Conducting
- Debussy and the French School
- Diction for Singers
- Digital Audio Workstations and MIDI
- Ethnomusicology of the Americas: Music, Language, and Identity
- Ethnomusicology of the Americas: Music, Language, and Identity
- Evolution of a Performance
- Gamelan Angklung Chandra Buana
- Guitar Class
- Guitar Ensemble
- Hearing and Singing
- Intermediate Aural Skills
- Introduction to Electronic Music and Music Technology
- Jazz Colloquium
- Jazz History
- Jazz Performance and Improvisation Workshop
- Jazz Vocal Ensemble
- Jazz Vocal Seminar
- Keyboard Lab
- Master Class
- Mozart and Beethoven: Music from 1720-1810
- Music, Circulation, and Appropriation
- Music Workshop
- “Non-Western” Western Musics in Europe and Asia
- Recording, Sequencing, and Mastering Electronic Music
- Sarah Lawrence Orchestra
- Sarah Lawrence String Orchestra
- Self-Discovery Through Singing
- Seminar in Vocal Performance
- Music, Circulation, and Appropriation
- Senior Recital
- Sight Reading for Instrumentalists
- So This Is Opera?
- Studio Class
- Studio Composition and Music Technology
- Survey of Western Music
- The Blues Ensemble
- The Cygnus Ensemble: Artists-in-Residence
- Theory II: Basic Tonal Theory and Composition
- Theory I: Materials of Music
- 20th-Century Compositional Techniques
- Violin Master Class
- West African Percussion Ensemble Faso Foli
- Women’s Vocal Ensemble

